Thanks to the orchestrole, the past four Wednesday nights in Mile-End have been more than magical, which itself would be enough — in this neighborhood famous for its magical Montreal bagels (the one filling thing besides poutine you can get 24 hours a day). In the orchestrole, struments and cookware bang out a loud protestation against special law 78; friends, neighbors, and fairly new autonomous popular assembly participants reclaim whatever streets we settle on taking that evening — or rather, decide to borrow as we temporarily take them — as a marching illegal demonstration against the criminalization of dissent. The magic comes in because it’s festive to stroll down tree-lined streets as the sun sets and stars begin to appear, and people in their homes pop their heads out doors and windows to watch, listen, or wave, or step on to their balconies with their own instruments or cookware to join in, briefly, in our orchestral cry against the government trying to shut down the student strike. And magic, too, because some sort of addictive joy seems to come over us all while we’re orchestrolling (for my story on the first orchestrole, see http://cbmilstein.wordpress.com/2012/07/05/listen-you-can-hear-the-sound-of-direct-democracy-or-orchestroles-montreal-night-72/).
More important, however, the core crew of our popular assembly and neighborhood musicians have transformed protest into the art of prefiguration with this orchestrole invention. It is a creative intervention that reshapes public space on its own terms, without permits or permission, while expressing not only outrage but also solidarity for the student and social strike, and each other too, precisely because we’re doing it in a way that builds bonds between us, allows us to do political outreach and organizing, and shows that we can make our own culture, sans commodification.
Tonight’s highlights in our fourth orchestrole included the following:
The innovation of lyric sheets, in both French and English, to some of the songs put together by some of the musicians, who decided to do a practice session before the march this week. I’m not sure if this first rehearsal of theirs is because they are increasingly enjoying being the newly named “Mile-End Orchestrole” as musicians, in demand from others in our neighborhood who aren’t musicians, or due to the fact that they’ll be playing the first indoor orchestrole tomorrow night at a “Red Square Sound” fund-raiser for legal funds for the striking students, morphing our new protest-prefiguration form into new way to contribute to the DIY sustenance of this movement as well.
We also handed out five different pieces of literature — up from nothing the first week, to one piece the second, and maybe two last week. One of those was an invite to a new neighborhood assembly, in nearby Outremont, so we swung into the edge of Outremont to lend aid and music to our autonomous assembly comrades with a bit of outreach for them. I’ve walked through that neighborhood several times in search of red squares, and there’s been hardly a one, so perhaps this explains why it’s taken them so long to call for an assembly, or may later explain why so few people show up. But several of our orchestrollers were insistent on doing neighborly solidarity for Outremont’s first effort in a park this Saturday.
As we marched on and night grew darker, we seemed to better have each other’s backs this week, more than ever, as we assuredly blocked the whole of St. Laurent, or the biggest, busiest of the streets that we borrowed for a while. Unlike last week, when some 100 or so folks showed up, there were probably 30 at most this week by the time we reached St. Laurent. We were only loosely blocking about half of the lanes, and you could feel the cars and motorcycles edging up behind us, menacingly, about to put foot to pedal and try to drive way too fast past us on the other half of this one-way street. One person within our posse looked at a few other orchestrollers, and said, “Should we take the whole street?” Bodies moved quickly in answer, without breaking the music, spreading out across all lanes, as the drivers grew visibly more frustrated at not being able to get by. Several folks turned to face the oncoming cars, went up to talk to drivers, and made sure there weren’t gaps that would allow a car to attempt a zip by us. One of our crew on a three-wheel bike kept sort of doing circles around the cars. Even those folks who’ve been concerned at the popular assembly about defying law 78 or engaging in what they perceive as direct action seemed completely pleased that we were holding the streets, safely, for each other. (I suspect this doesn’t seem like it “counts” as a direct action, which is one reason it and casseroles have opened us space for those who might be nervous about such activities).
As we neared the end of this long stretch of St. Laurent, and chose to turn left on the main drag of Mile-End, St. Viateur, and start winding down our orchestrole for the night, the police finally decided to catch up to us with some three cop cars for the remaining 25 or so of us. The cops began to act as if they were blocking the streets for us, staying well behind us. There was a brief moment where we turned to look at them, and then everyone quickly agreed in word and motion that we should just ignore them. We ended up hanging out in an intersection chatting for about a half hour while the police sat in one lane, telling us several times to leave, then helplessly watching when we didn’t. They finally pulled their cruiser up close, and one of our crew played them an instrumental solo of a song that isn’t exactly cop friendly — but they didn’t seem to understand. They were probably too busy wishing they could assert control over what was simply a group of friends and neighbors talking politics, life, and music in the night.
I know the police could have asserted their power; at the same time, the fact that no one paid them much mind seemed to go far in this context to shatter their authority. That, in turn, gave us extra time to have an informal organizing chat of sorts about next week’s orchestrole — on consecutive night 100 of the illegal downtown demos, when we decided to take our neighborhood assembly banner and orchestrole downtown (plans since then include multiple neighborhood casseroles meeting at various points to bring many assemblies downtown, and a solidarity demo for Riot Pussy called by Anarchopanda, plus the Mile-End orchestrole gathering at Gamelin Park at 8:30 p.m. to then take the streets with likely many people on this special marker of a night against the specially awful law).
This is, certainly, nothing earth-shattering or world-changing about the orchestrole, whether week one or four Wednesdays in. But like the little red squares that are scattered here and there, disappearing and reappearing, each of the many little illegal and prefigurative acts here in Montreal and Quebec have added up to a near-six-month-long student strike that only shows rebellious-red signs of reemerging in early August, when students return and school, well, maybe doesn’t open.
I’ll end this overview of orchestrole 4 with a personal favorite moment from the evening. We’ve taken to taking the one particularly upscale street within the Mile-End neighborhood, where there are a bunch of expensive restaurants with outdoor seating and lots of unsympathetic-looking patrons. My contribution to the orchestrole is making red-felt squares and filling up a pot, then banging on that pot, but also holding it out to folks to take a square, so they can then wear and spread the solidarity. People often take several red squares, for themselves and friends, and on this fancy street, the waitstaff frequently want one too. The well-heeled diners always stick their noses up at us, avoid eye contact, and refuse my squares. Which makes me put my pot under their noses, across their fancy dinner plates and wine glasses, just to annoy them. This week, when I did that to one woman who sported fancy dress, thinking she too would reject this gift, she instantly took a red square, then raised her fist and said, in French, but in words I now perfectly understand: “To the infinite social strike!”
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Orchestrole 4 photos borrowed, with my ongoing admiration, from Thien, http://quelquesnotes.wordpress.com/2012/07/26/250712-3/
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